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• Published on: 1707
• Binding: Paperback

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• Sales Rank: #3190469 in Books
• Published on: 1994
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 7.00" w x 2.00" l,
• Binding: Bonded Leather

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5 of 5 people found the following review helpful.
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Must Read
By Ja cee
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[B403.Ebook] PDF Ebook Richard Avedon: Photographs 1946-2004From Brand: Louisiana Museum Of Modern Art

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In August 2007 Denmark's renowned Louisiana Museum of Modern Art presented Richard Avedon: Photographs 1946–2004, the first major retrospective devoted to Avedon's work since his death in 2004. This beautifully produced catalogue, designed by the renowned Danish graphic designer Michael Jensen, features deluxe tritone printing and varnish on premium paper. It includes 125 reproductions of Avedon's greatest work from the entire range of his oeuvre―including fashion photographs, reportage and portraits―and spans from his early Italian subjects of the 1940s to his 2004 portrait of the Icelandic pop star Björk. It also features a small number of color images, including what must be one of the most famous photographic portraits of the twentieth century, "Nastassja Kinski and the Serpent" (1981). Texts by Jeffrey Fraenkel, Judith Thurman, Geoff Dyer, Christoph Ribbat, Rune Gade and curator Helle Crenzien offer a sophisticated and thorough composite view of Avedon's career.

• Sales Rank: #59602 in Books
• Brand: Brand: Louisiana Museum Of Modern Art
• Published on: 2007-12-15
• Original language: English
• Number of items: 1
• Dimensions: 13.00" h x 10.00" w x 1.00" l, 3.45 pounds
• Binding: Hardcover
• 192 pages

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• Used Book in Good Condition

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41 of 41 people found the following review helpful.
Avedon's People
By Foster Corbin
According to photographer Anthony Snowdon, a viewer, when looking at a picture, should not be able to tell who the photographer was. That may be true about his own photographs; he was wrong, however, when it comes to the work of Richard Avedon. Many of his photographs are instantly recognizable as uniquely his or the shots of someone imitating him. Mr. Avedon gave the world the portrait where the subject, often powerful and famous-- although that is not the case in his series "In The American West" when he shot unknowns-- is photographed looking straight into the camera without flattering lighting or camera angles before a white background. These models rarely smile although Janis Joplin and Willem de Kooning are two exceptions.

This latest collection of approximately 200 of Avedon's photographs is the catalogue that accompanies a traveling exhibit of the master photographer, which began at Denmark's Louisiana Museum of Modern Art and will close in San Francisco's Museum of Modern Art. It must have been a difficult assignment to select the images that are reproduced (so beautifully) here. Many of Avedon's most famous photographs are included although there were some that I had never seen before and some I missed seeing. (For example, I would have included the magnificent shot of Tina Turner that usually fills a museum wall when it is exhibited.) The one color photograph by Avedon here is the famous or infamous, depending on your point of view, of Nastssja Kinski and the Serpent (1981). Several fashion shots are included. My favorites are the two of the model Dovima-- with the elephants in 1955 and in front of the pyramids in Eqypt in 1951.

The photograph of Peter Orlovsky and Allen Ginsberg, naked and embracing, that was-- I believe-- the cover for an issue of "Evergreen" magazine in 1963 made the cut, as did Andy Warhol and members of the Factory (1969). Some of my favorites, although I cannot always say why, are the shot of Bob Dylan taken in 1963 where he looks to be about 13, (I think it is the tilt of his head that intrigues me) W. H. Auden standing in the snow in New York in 1960 and The Generals of the Daughters of the American Revolution. Photography doesn't get better than that shot.

Avedon always said that he just photographed the surface and that the viewer only gets whatever the photographer sees in a brief moment of time. He contended also that the photograph usually tells you more about the photographer than the subject. On the other hand, the writer Albert Camus said that we are all responsible for our faces after the age of forty. Some of these portraits cry out with Camus' message. I would nominate the image of Truman Capote (1974). The word "dissipated" comes to mind immediately. Contrast the Capote photograph with, say, those of the Dalai Lama and Salman Rushdie, from whom a sense of peace emanates. It is poetic justice that the artist Francis Bacon's own face takes on the grotesque shape of many of the faces in his paintings. The Duke and Duchess of Windsor (1957), looking into Avedon's lens, would make you believe that the rest of the Royals were right about them, that they were dreadful people.

Accompanying this great photography collection are essays by several writers and art and photography critics assessing Mr. Avedon's contribution to 20th century photography including Helle Crenzien, Geoff Dyer, Judith Thurman, Michael Juul Holm, Rune Gade, Jeffrey Fraenkel and Christoph Ribbat. If you do not read all the essays, do not miss Geoff Dyer's discussion on what has become Avedon's signature, the portraits where the models are in front of a stark white background where the people who posed for him, if not known to the public before they sat for him, were famous thereafter. The people included in In the American West series-- drifters, waitresses, coal miners, truckers-- are every bit as engaging as those of the rich and famous and are now just as immortal.

0 of 0 people found the following review helpful.
Arrived in great condition, perfect for my boyfriend who is in ...
By EmmalynSullivan
Arrived in great condition, perfect for my boyfriend who is in the commercial fashion industry. Avedon is an icon in both fashion and document. A great gift for any photographer you know.

0 of 0 people found the following review helpful.
Four Stars
By sab
A good representation of the traveling Avedon exhibit.

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Best-selling Tolkien expert Brian Sibley (The Lord of the Rings: The Making of the Movie Trilogy and The Lord of the Rings Official Movie Guide) presents a slipcased collection of four full-color, large-format maps of Tolkien's imaginary realm illustrated by John Howe, a conceptual designer for the blockbuster films directed by Peter Jackson. The set includes a hardcover book describing in detail the importance and evolution of geography within Tolkien's epic fiction and four color maps presented with minimal folds, including two (Beleriand and Númenor) never before published in this country.

• Sales Rank: #276089 in Books
• Brand: Brand: Houghton Mifflin Harcourt
• Model: 41630
• Published on: 2003-10-02
• Released on: 2003-10-02
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 8.00" w x 2.00" l, 2.43 pounds
• Binding: Hardcover
• 80 pages

Features

• Used Book in Good Condition

About the Author
J.R.R. TOLKIEN (1892–1973) is the creator of Middle-earth and author of such classic and extraordinary works of fiction as The Hobbit, The Lord of the Rings, and The Silmarillion. His books have been translated into more than fifty languages and have sold many millions of copies worldwide.

Brian Sibley is the author of The Map of Tolkien's Middle-earth, Chicken Run: Hatching the Movie, and The Land of Narnia: Exploring the World of C.S. Lewis. He lives in England.

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36 of 36 people found the following review helpful.
Too much art, not enough map
By Eagle
This is, to say the least. is a very, very disappointing product. First the good. The "maps" are on good heavy paper that should last with reasonable care. The printing is adequate but not exceptional in any way. The 'maps' come in a protective binder and are also enclosed in a box that contains both the 'maps' and a short book that tells something about the 'maps' but there are no references provided.
Now for the bad. The maps are more art than map. The maps at most take up 50% of the available space and one map maybe 25%. The art work is distracting and adds little to nothing the ascetic value of the product. The title of the product lead me to believe that the maps contained therein would be like the wall maps one sees of the world and of the United States, and they are not. The author is an artist and defiantly not a cartographer. The detail on the maps themselves is very rudimentary and would add little to your understanding of Middle Earth. There are no contour lines to aid in determining the type of land in the area being depicted. One map has only regional names and no cities or other boundaries provided.
I have been a longtime lover of maps (my father was a cartographer for the Corps of Engineers US Army) and have studied in some detail the entire published works of professor Tolkien. I began reading the work of the good professor in 1967 and have not been able to stop. I was lead to believe that these maps were well researched and would provide some help as to scale, but since no distance measure is provided it is of no use there either.
If you love maps and not just wall posters with uninspired art taking up most of the printable area and maps providing no detail I strongly recommend the work of a real life cartographer Karen Wynnfonstad titled "The Atlas of Middle Earth Revised Edition" ISBN:0-618-12699-6 available through Amazon or one of the used book dealers. The price is better, the product is better and real maps are there. Be aware that the maps are not intended to be displayed. This book will provide you the answers you are seeking presented in a professional manner and well referenced to Tolkiens works.
If you are interested in a wall poster at a high price with gaudy uninspired art work then the "Maps of Middle Earth are for you, but not for me. My wife runs a book business with Amazon and my copy, just received this week will be on sale today. No use keeping low production value work in my library.

0 of 0 people found the following review helpful.
Five Stars
By jc woodworking
Great Tolkien fan resources for Middle Earth, with Numenor too.

94 of 105 people found the following review helpful.
Pretty good, not great.
By S. Mason
It is divided into two books. One containing the maps which are not connected to the spine, and the other with the list of places and events on the maps. I'd probably recommend this to a younger reader or someone just starting out reading Tolkien. The maps are nicely done yet not really what I expected. Really more of a poster art. The book(s) aren't bad, just not what I expected and I wasn't really impressed.

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Ocean Passages for the World inc ludes: Individual ch apters covering each of the world's oceans, with details of weather, climate, winds, currents, swell, seasonal factors and ice hazards Numerous route diagrams and chartlets clearly demonstrating the effects of climate, wave heights and load line zones ADMIRALTY QR codes to enable quick access to a list of all Notices to Mariner's (NMs) that affect the publication

• Sales Rank: #556943 in Books
• Published on: 2004-06
• Original language: English
• Number of items: 1
• Dimensions: 11.97" h x 1.10" w x 8.50" l,
• Binding: Hardcover

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5 of 5 people found the following review helpful.
Sailing the Oceans
By K.Michael Marquardt
This traditional handbook is an invaluable tool for planning offshore passages of slow merchant vessels, towing rigs and structures and sailing craft. It's special value is found in the data and experiences collected by master mariners by two hundred years of recording currents, winds and, weather at sea combined with an 'overlay' of modern analysis. The accompanying climatic and routing charts provide for a fast reference.

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• Published on: 2005-09-01
• Binding: Unknown Binding

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Painting as Business in Early Seventeenth-Century Rome offers a new perspective on the world of painting in Rome at the beginning of the Baroque, from both an artistic and a socioeconomic point of view. Biased by the accounts of seventeenth-century biographers, who were often academic painters concerned about elevating the status of their profession, art historians have long believed that in Italy, and in Rome in particular, paintings were largely produced by major artists working on commission for the most important patrons of the time.

Patrizia Cavazzini’s extensive archival research reveals a substantially different situation. Cavazzini presents lively and colorful accounts of Roman artists’ daily lives and apprenticeships and investigates the vast popular art market that served the aesthetic, devotional, and economic needs of artisans and professionals and of the laboring class. Painting as Business reconstructs the complex universe of painters, collectors, and merchants and irrevocably alters our understanding of the production, collecting, and merchandising of painting during a key period in Italian art history.

• Sales Rank: #3467499 in Books
• Brand: Brand: Penn State University Press
• Published on: 2008-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .63" w x 9.00" l, 2.90 pounds
• Binding: Hardcover
• 256 pages

Features

• Used Book in Good Condition

Review

“A book that will overturn many long-held assumptions about the nature of art production in Rome.”

—Richard Spear, University of Maryland

“The book, rich and variegated, is very enjoyable and often funny. But it also, in many important ways, challenges past assumptions and presents an entirely new portrait of the production and diffusion of art in Rome. Pleasurable, challenging and informative, this is an important book, which stands as a complement, and at some points as an adjustment, to Haskell’s celebrated Patrons and Painters.”

—Helen Langdon, Apollo

“Beautifully written and produced with instructive illustrations, this lively book provides a new, immensely compelling conception of seventeenth-century Rome.”

—C. A. Hanson, Choice

“In its own quiet way, this book offers a novel and groundbreaking reinterpretation of the art world of seventeenth-century Italy that could have a profound and lasting impact on our current understanding of the subject.”

—Jesse Locker, Sixteenth Century Journal

“The more expansive picture of the Roman art world presented by Cavazzini’s research and that of others raises many issues, even basic ones such as what percentage of the population worked as painters (or artists) of some sort in the period she covers.”

—Ann Sutherland Harris, CAA Reviews

About the Author

Patrizia Cavazzini is an independent scholar. She is the author of Palazzo Lancellotti ai Coronari: Cantiere di Agostino Tassi (1998).

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This is the complete set of the Vemreaux Trilogy, including The Way, The Truth, and The Lie.

In a world not divided by race, creed, or color but by blood type, Blue Anders finds herself on the wrong end of fortune's mercy. Born with a lesser blood type, Blue is raised in The Way, a work camp for A-bloods.

• Sales Rank: #25649 in Audible
• Published on: 2015-11-20
• Format: Unabridged
• Original language: English
• Running time: 2740 minutes

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0 of 0 people found the following review helpful.
I have the audible book and it is amazing!!!! great narration check it out!
By Leon
Who was your favorite character and why?

I loved Blue. She was funny and awkward. She was great. Her character really added to the story. I Know this is a book about her and her crazy life but not completely. It's a great book about all of them.

Have you listened to any of Madeline Mrozek’s other performances before? How does this one compare?

I have never listen to Madeline Mrozek's performances before. I was actually disappointed that she didn't have any more titles that were appealing. SHE IS AMAZING! This book benefited from a talented person like Madeline. The book was strong and original but the narration added the cherry and sprinkles to the top of the cake.

If you were to make a film of this book, what would the tag line be?

I am not good with tag lines. However, if it was made into a movie I would watch it!

Any additional comments?

The first story was hard to complete. I got better about 3/4 of the way. STICK WITH IT... you will be rewarded with a fantastic and original story. Loved this trilogy and really sad to say good bye.

0 of 0 people found the following review helpful.
I read the Vemreaux Complete Collection after the Lucy series and I can't tell which one I like more. Your sense of humor is won
By Ironlady
Mary, thank you, once again I am overwhelmed by your stories. I read the Vemreaux Complete Collection after the Lucy series and I can't tell which one I like more. Your sense of humor is wonderful! Your timing in situations, Great! And you can convey the struggles of people and conversations without foul language. That is a "Plus" for me!!!. I am not a words person, but just want to thank you for yet another great series. Please don't stop writing! Ever!

0 of 0 people found the following review helpful.
Twomey is terrific!
By Jody Itle
Mary Twomey has, yet again, enthralled me with her storytelling! Do yourself a favor and start reading! Volumes of the Vemreaux has complex character development and a plot line that keeps you turning page after page. Read her Undraland series if you haven't done so already. I guarantee it will stay with you long after the last page has been read.

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• Published on: 2007
• Binding: Paperback

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