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Guitar Zero: The Science of Becoming Musical at Any Age, by Gary Marcus
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Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we are born with? Or a skill that anyone can develop at any time? If you don't start piano at the age of six, is there any hope? Is skill learning best left to children or can anyone reinvent him-or herself at any time?
For anyone who has ever set out to play a musical instrument—or wished that they could—Guitar Zero is an inspiring and fascinating look at the pursuit of music, the mechanics of the mind, and the surprising rewards that come from following one’s dreams. Gary Marcus, whom Steven Pinker describes as “one of the deepest thinkers in cognitive science,” debunks the popular theory that there is an innate musical instinct while challenging the idea that talent is only a myth. From deliberate and efficient practicing techniques to finding the right music teacher, Marcus translates his own experience—as well as reflections from world-renowned musicians—into practical advice for anyone hoping to become musical or learn any new skill.
- Sales Rank: #98922 in Books
- Brand: Alfred Music
- Published on: 2012-12-24
- Released on: 2012-12-24
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .76" w x 5.47" l, .55 pounds
- Binding: Paperback
- 288 pages
- Used Book in Good Condition
Review
"Jimi Hendrix meets Oliver Sacks in this great new science book." — VeryShortList.com
"Guitar Zero is a refreshing alternation between the nitty-gritty details of learning rock-guitar licks and Mr. Marcus's survey of the relevant scientific literature on learning and the brain . . . makes some delightful counterintuitive fine points. . . . For those who look forward, in 'retirement,' to honoring the lifelong yearnings they have neglected, Guitar Zero is good news."
— Norman Doidge, The Wall Street Journal"[Guitar Zero is] the sort of book where Steven Pinker (Dr. Marcus's mentor and collaborator) mixes with K. Anders Ericsson (the psychologist most associated with the '10,000 hours' theory of expertise) and Tom Morello (the lead guitarist from Rage Against the Machine)."
— The New York Times“This book in the end is about more than a desire to shred like Eddie Van Halen. Marcus examines how our brains are affected by creativity—learning a musical instrument, for instance, or a new language—and how these experiences remain open to all of us, no matter our age."
— Los Angeles Times“An entertaining and enlightening memoir, filled with insight about music, learning, and the human mind, by Gary Marcus, one of the deepest thinkers in cognitive science.”
— Steven Pinker, bestselling author of The Better Angels of Our Nature
About the Author
Gary Marcus, described by the New York Times as “one of the country’s best known cognitive psychologists,” directs the Center for Language and Music at New York University, where he studies language, music, cognitive development, and evolution. His previous book, Kluge: The Haphazard Construction of the Human Mind, was a New York Times Editors’ Choice pick.
Most helpful customer reviews
136 of 141 people found the following review helpful.
Learning to Become a Muscian
By Book Fanatic
This is an interesting book. It's easy to read and tells a fairly compelling story about a 40 year old professor who always wanted to be a musician finally taking the plunge. This book is a story about human learning told through the perspective of music. The specifics are music and guitar, but that's really not what the book is about.
The Amazon description includes this sentence: "Guitar Zero stands the science of music on its head, debunking the popular theory of an innate musical instinct and many other commonly held fallacies."
Not so. The author specifically states he believes in innate musical talent and he counts himself as one is who lacking even normal levels. Part of what makes the book interesting his his struggle against this lack and ultimately the degree of progress he makes despite this obstacle.
I think this book will be of interest to those who are musically inclined but please be aware that this is most certainly not in any respect a how-to book. This book does not teach you how to play the guitar or any other musical instrument. Instead it is a rather inspiring story of someone who followed his heart fairly late in life and what he learned in the process.
112 of 119 people found the following review helpful.
Practice Doesn't Make Perfect
By Fl!p Breskin
I'm enjoying this book a lot. I've been teaching guitar to adult beginners for nearly 40 years which is a privilege, because it means I get to be in the presence of courage on a daily basis. Gary chronicles his personal journey as a adult beginner on guitar, but from the perspective of an expert on learning & language acquisition, with all the understandings his profession have given him. He encourages all learners to just KEEP GOING; keep trying. Guitar is complicated. So is music. Gary's understanding of the specifics of what's hard about it, and strategies for making the most of practice time, are well worth the time it takes to read. Practice doesn't make perfect; it makes permanent. If you can make each note beautiful, you can make a whole piece beautiful. On the other hand, you can't learn to ride a bicycle with it standing still. You've got to do a certain amount of falling down. And it's more fun with friends. And most of all, it's not too late!
Fl!p Breskin
co-founder, Puget Sound Guitar Workshop
73 of 77 people found the following review helpful.
Music and the middle-aged brain
By Angie Boyter
This book wasn't quite what I had expected, but I wasn't disappointed.
Cognitive psychologist Gary Marcus, who clearly has a history of being "challenged" musically, decides as he approaches the age of 40 to learn to play the guitar. A serendipitous sabbatical from his usual gig teaching at NYU gives him enough leisure that he takes on the project seriously. Guitar Zero (a pun on the popular video game Guitar Hero, for those like me who didn't get it)recounts his adventures, which include playing in a rock band with 11-year-olds at a music camp and MANY MANY hours of practice.
I had expected a memoir of a middle-aged scientist observing himself learning a new skill, which I got, but Marcus also explores many facets of the science of music, such as whether talent or practice is more important, what kinds of music people like and do not like (I was pleased to have my own preferences supported by finding out that the "most unwanted song" would be sung by an operatic soprano.), and how experts and novices differ when they listen to music.
No knowledge of music theory is necessary to enjoy this book. Marcus does a good job of explaining the theory needed along the way, but I do not believe he spends so much time on it that it would annoy a reader who does not need the explanation. As someone who is a contemporary of Marcus' father, I was a little at sea when it came to many of his references to musicians I genuinely had never heard of, and I would have appreciated definitions of pop music guitar terms like "riff" and "lick", but he does talk about Bob Dylan and even mentions the Andrews Sisters.
I picked up a lot of fascinating information from Guitar Hero and was incredibly impressed with what Marcus accomplished as a guitarist. Maybe I should pull out that guitar that has been sitting in the closet for the past 30 years....
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